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Tina Turner, Iconic Singer and Music Legend, Dies at 83

Variety
ByΒ Chris Morris
Soulful diva Tina Turner, who succeeded a lengthy run of ’60s and ’70s R&B hits in tempestuous partnership with husband Ike Turner with major pop stardom in the ’80s, has died. She was 83.

β€œTina Turner, the β€˜Queen of Rock’n Roll’ has died peacefully today at the age of 83 after a long illness in her home in Kusnacht near Zurich, Switzerland. With her, the world loses a music legend and a role model,” her representative said in a statement toΒ Variety.

Turner was still in her teens when she began recording with future husband Ike; their tumultuous partnership produced 15 years of popular singles, culminating in the 1971 crossover smash β€œProud Mary.” However, in 1976 the vocalist fled her abusive marriage; she detailed her violence-scarred relationship in the 1986 bestseller β€œI, Tina,” which served as the basis for the 1993 biopic β€œWhat’s Love Got to Do With It.”

After nearly a decade in the commercial wilderness, Turner ascended to the pinnacle of pop fame with the 1984 Capitol Records album β€œPrivate Dancer.” The collection, which spawned a trio of top-10 pop hits, sold 5 million copies and garnered four Grammy Awards. Though she never matched that breakthrough solo success, she recorded and toured profitably until her retirement in 2000.

Raw-voiced, leggy, peripatetic and provocative onstage, the magnetic Turner segued effortlessly into bigscreen roles, appearing as the Acid Queen in Ken Russell’s 1975 adaptation of the Who’s rock opera β€œTommy” and as villainess Aunty Entity in George Miller’s action sequel β€œMad Max Beyond Thunderdome.” She sang the title song, penned by Bono and the Edge of U2, for the 1995 James Bond pic β€œGoldenEye.”

The winner of eight Grammys, Turner was a 1991 Rock and Roll Hall of Fame inductee, and was recognized at the 2005 Kennedy Center Honors for her career achievements.

She was born Anna Mae Bullock in the farming community of Nutbush, Tennessee (a locale she would commemorate in the self-penned 1973 song β€œNutbush City Limits”). With older her sister Ruby, she was shuttled between various relatives as a child; her mother left her abusive father when she was 11. At 16, the girls were reunited with their mother in St. Louis.

After graduating from high school, she began working as a nurse’s aid, but also started frequenting St. Louis’ black nightspots. Though she had no musical experience outside the church choir, she managed to sit in, at a 1958 engagement at Club Manhattan, with Ike Turner’s Kings of Rhythm.

Turner – already a veteran guitarist, keyboardist, bandleader and indie-label A&R man – was impressed enough to give the neophyte musician a spot as a backup singer, billed as β€œLittle Ann,” in his group. She soon became involved with Kings of Rhythm saxophonist Raymond Hill, and bore him a son, also named Raymond, at 19.

In 1960, after vocalist Art Lassiter failed to show up for a recording session, she was drafted to take the lead on a new Turner-penned song, β€œA Fool in Love.” The tape found its way to Juggy Murray, president of the indie R&B label Sue Records. At Murray’s suggestion, Ike Turner rechristened his newly minted lead vocalist Tina Turner. (She bore Turner’s son Ronald that same year, but the musicians would not wed until 1962.)

β€œA Fool in Love” rose to No. 2 on the R&B chart, and scratched No. 27 on the pop singles list. Several other major R&B singles followed on Sue: β€œI Idolize You” (No. 5, 1960), β€œIt’s Gonna Work Out Fine” (No. 2, and also No. 14 pop, 1961), β€œPoor Fool” (No. 4, 1961) and β€œTra La La La La” (No. 9, 1962).

The Ike & Tina Turner Revue bounced from label to label, and none of their mid-’60s singles secured chart traction. However, the act’s high-voltage live performances and dynamic frontwoman continued to draw attention. After a 1965 appearance in β€œThe Big TNT Show” – a concert attraction screened in moviehouses, like its precursor β€œThe T.A.M.I. Show” – the Turners were approached by producer Phil Spector, who had conducted the β€œTNT Show” house band.

The architect of several huge-sounding hit pop 45s by the Ronettes, the Crystals and other R&B-skewed acts, Spector paid Ike Turner $20,000 to sit on the sidelines, and employed Tina as the lead vocalist on a single he envisioned as his crowning achievement. Penned by Spector, Jeff Barry and Ellie Greenwich and cut in March 1966 with a huge, thunderous orchestra at Hollywood’s Gold Star Studio, β€œRiver Deep, Mountain High” was the apotheosis of the producer’s fabled β€œWall of Sound.”

It also became one of the most storied flops in U.S. record industry history. Though it reached the top five in the U.K., β€œRiver Deep” peaked at No. 88 in the States, and proved to be the most crushing commercial debacle of Spector’s career. Nonetheless, the towering number sports what may be Turner’s most intense vocal performance; it was inducted into the Grammy Hall of Fame in 1999.

Groping for hits in the late ’60s, the Turners frequently relied on covers for material. One of these, a rendition of Otis Redding’s β€œI’ve Been Loving You Too Long,” reached No. 23 in 1969. That same year, the Ike & Tina Turner Revue opened on the Rolling Stones’ U.S. tour; Tina’s sensual performance of the song became a highlight of β€œGimme Shelter,” directors Albert and David Maysles’ 1970 doc about the English band’s fateful concert trek.

In 1971, the Turners scored their biggest pop hit with the Liberty Records single β€œProud Mary,” a blazing rendering of Creedence Clearwater Revival’s No. 2 single of 1969. The cover climbed to No. 4 on the pop chart and reaped a Grammy as best R&B performance by a duo or group. Its success pushed the studio album β€œWorkin’ Together” and a subsequent live set recorded at Carnegie Hall into the pop top 25.

After a final top-40 pop hit by Ike and Tina, β€œNutbush City Limits” (No. 22, 1973), Tina embarked on a solo career with the United Artists set β€œTina Turns the Country On”; the 1974 LP, comprising renditions of country-flavored material, was not a hit, but earned Turner her first solo Grammy nomination. After returning to the U.S. after filming β€œTommy” in England, she released a second solo collection, β€œAcid Queen” (1975), which capitalized on her film appearance.

By that time, not only was the Ike & Tina Turner Revue over-exposed after 10 albums in just three years, but the Turners’ marriage was coming apart. Ike Turner had long been an abusive husband, but his violence escalated along with his cocaine use. Finally, after a brutal beating inflicted on the way to a Dallas hotel in July 1976, Tina quickly left Ike, exited the revue and filed for divorce. The end of the marriage was finalized in 1978, with Tina assuming a host of business-related debts, including an IRS lien.

It took the better part of a decade for her to return to prominence in the music business. She toured the U.S. and abroad, but her recordings for UA and EMI failed commercially. Finally, with the sponsorship of David Bowie, she secured a short-term deal with Capitol Records.

After her 1983 cover of Al Green’s β€œLet’s Stay Together” became a hit in Europe, the label was encouraged to record a full album with Turner. Cut in England with a panoply of producers and songwriters, β€œPrivate Dancer” was issued in June 1984. Its leadoff single, β€œWhat’s Love Got to Do With It,” shot to No. 1 on the U.S. singles chart, spending six months on the 45 rolls. It was followed up by β€œBetter Be Good to Me” (No. 5) and β€œPrivate Dancer” (No. 7). The album peaked at No. 3, but clung to the chart for more than two years, selling more than 5 million copies.

Turner’s solo triumph was further institutionalized at the 1985 Grammy Awards, where β€œWhat’s Love Got to Do With It” was name record of the year and best female pop vocal performance; the tune’s writers, Terry Britten and Graham Lyle, were honored with the song of the year trophy. Additionally, β€œBetter Be Good to Me” was named best female rock performance. Turner followed up the kudos with a 177-date world tour that year. That summer, β€œWe Don’t Need Another Hero,” drawn from the β€œMad Max Beyond Thunderdome” soundtrack, reached No. 2 on the pop chart.

Her hot streak continued in 1986 with the publication of her candid bestselling memoir β€œI, Tina,” co-written with MTV’s Kurt Loder, and the No. 4 album β€œBreak Every Rule”; the album contained β€œBack Where You Started,” which collected a best female rock vocal performance Grammy. The 1988 album β€œForeign Affair” (No. 31) included the single β€œThe Best”; originally recorded by Bonnie Tyler, it became a No. 15 pop single, and later attained ubiquity through play at U.S. and international sporting events. The ’88 concert set β€œTina Live in Europe” was recognized with a Grammy as best female rock vocal performance.

In 1993, Turner scored her final U.S. top 10 hit with β€œI Don’t Wanna Fight,” a song recorded for the top-20 soundtrack of the biopic β€œWhat’s Love Got to Do With It.” Director Brian Gibson’s feature starred Laurence Fishburne and Angela Bassett, who both received Oscar nods for their work as Ike and Tina. Even more than Turner’s autobiography, upon which it was loosely based, the film focused further attention on the issues of spousal abuse and domestic violence. (Ike Turner, who maintained in interviews and his autobiography that the charges of abuse were exaggerated, died of an apparent cocaine overdose in December 2007.)

Turner’s later solo albums for Virgin Records, β€œWildest Dreams” (1996) and β€œTwenty Four Seven” (1999), were comparatively less successful, peaking at No. 61 and No. 21, respectively. Her 2000 world tour – the most successful trek of the year, according to concert tracker Pollstar – prefaced her announcement that she was retiring.

On her sole latter-day return to the recording studio, Turner managed to make an impression: She shared in the 2008 album of the year Grammy for her restrained, jazzy performance of Joni Mitchell’s β€œEdith and the Kingpin” on pianist Herbie Hancock’s β€œRiver: The Joni Letters.”

A devotee of Buddhist chanting since the early 1970s who never abandoned the Baptist faith of her youth, Turner released β€œBeyond,” a collaborative album of Buddhist and Christian music and chanting, on the indie New Earth label in 2012.

In 2013 – the same year she relinquished her American citizenship and took up residency in Switzerland β€” Turner married German music exec Irwin Bach, her companion of 27 years.

In 2014, Turner’s reps denied rumors, widely reported in the European press, that the singer had suffered a stroke.

She is survived by her husband and two sons.

 

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